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When Joan of Arc Relics Turned out to be From an Egyptian Mummy

Ian Harvey

Catholics around the world hold the saints in veneration. For centuries churches and cathedrals across Europe drew power, prestige, and patronage with their collections of holy relics.

Those relics were often bits of the remains of a saint or saints.

Different people feel drawn to different saints for personal reasons, and sometimes an area or region might hold a special affection for a particular saint who came from that place.

In France, many people have such a reverence for Joan of Arc. At only 18, Joan led the French army to victory over the English at Orléans.

Joan of Arc miniature.

Joan of Arc miniature.

Joan claimed that she was guided by mystical visions of the saints, who told her she was meant to be France’s savior, and she was operating under divine guidance.

A year later she was burned as a heretic and a witch, according to Biography. She remains a figure of veneration and inspiration among French Catholics.

Joan of Arc depicted on horseback in an illustration from a 1504 manuscript.

Joan of Arc depicted on horseback in an illustration from a 1504 manuscript.

What was supposed to be ashes from the foot of St. Joan’s pyre was discovered in the attic of a Paris apothecary in 1867.

They were in a jar with a label that said “remains found under the stake of Joan of Arc, Virgin of Orleans.” The jar was taken to a museum and kept there for decades, according to the Telegraph.

In 2007, however, analysis revealed that the ashes in the jar were not, in fact, from the saint, after all.

Letter written by Joan of Arc (1429).

Letter written by Joan of Arc (1429).

Instead, they come from sometime between the sixth and third centuries BC. Dr. Philippe Charlier of the Raymond Poincare Hospital studied the relic and was amazed by what he found.

The ashes included a burnt, seemingly human rib, some charred lumps of wood, a six-inch scrap of linen, and the femur of a cat. (There was a medieval tradition of throwing black cats onto the pyres of witches.)

Statue of Joan of Arc in Orléans by Denis Foyatier, 1855. Photo by Croquant CC BY-SA 4.0

Statue of Joan of Arc in Orléans by Denis Foyatier, 1855. Photo by Croquant CC BY-SA 4.0

Charlie and his team performed a variety of tests on the relic, and the evidence of those tests began to suggest that it was not from Joan of Arc’s pyre, but rather from a mummy.

Their best guess is that the fake was concocted sometime in the 19th century, maybe to help move along Joan’s beatification process, according to a story put out by NBC News. She was finally canonized in 1920 by the Roman Catholic Church.

Joan of Arc Chapel.

Joan of Arc Chapel.

In medieval times, powdered mummy remains were put to use in various medications.

They were used to treat all manner of blood problems, long or painful periods, and complaints of the stomach, according to Dr. Charlier.

His team assumes that the apothecary transformed the mummy remains into a fake relic of Joan of Arc, but why he would have done so is a mystery.

Egyptian mummy, close up detail.

Egyptian mummy, close up detail.

Not only was the rib bone from centuries ago, but so was the cat femur, which had also been mummified.

Additionally, the research team found evidence of pine pollen, which could be from the resin used in Egyptian embalming techniques.

A mummified cat

A mummified cat

The team wasn’t able to get any usable DNA from either the human bone or from the one belonging to the cat, so the sex of the mummy can’t be identified, nor can the sex of the cat. Charlier said, “the embalming products appear to have prevented the conservation of the DNA, and they are too old, so it didn’t work.”

They even called in perfumers to help them in their research, to sniff the remains and help identify any scents that could help identify the vegetable matter used in the embalming, to aid the research, and the perfumers identified scents of plaster and vanilla.

A 1903 engraving of Joan of Arc by Albert Lynch featured in the Figaro Illustre magazine.

A 1903 engraving of Joan of Arc by Albert Lynch featured in the Figaro Illustre magazine.

The smell of plaster could be consistent with her being burned at a plaster stake, rather than a wooden one, to prolong the spectacle of her execution, but the vanilla shouldn’t have been there.

Vanillin is produced by a decomposing body, according to Charlier. You would find it in a mummy but not in a body which had been burnt.

That was how the team began to figure out what they were looking at.

Read another story from us: Wales’ Most Legendary Warrior Princess whose Name Turned into a Battle Cry

The period the discovery of the relics occurred, the 19th century, was the same period during which the nearly-forgotten Saint Joan of Arc was being rediscovered by the French and made into a national icon, so the idea that someone may have forged her relics to promote her importance isn’t terribly hard to imagine.