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The pre-Inca cemetery at Sillustani: An impressive complex of funerary tombs constructed by the ancient Colla people

David Goran

The archaeological site known as Sillustani is a pre-Incan burial ground that consists of a group of huge cylindrical tombs, constructed out of stone and clay and between two and twelve meters in height, which stand around the shore of Peru’s Lake Titicaca.

The Sillustani necropolis and umayo lake, By guido da rozze Flickr CC BY-ND 2.0
The Sillustani necropolis. Photo credit 

 

A cemetery full of chullpas, circular stone buildings in the form of towers. By Marie Thérèse Hébert & Jean Robert Thibault Flickr CC BY-SA 2.0
A cemetery full of chullpas, circular stone buildings in the form of towers. Photo credit 

 

The largest chullpa on the Sillustani site near Puno, Peru. Wikipedia Public Domain
The largest chullpa, about 12m high, on the Sillustani site near Puno, Peru. 

The tombs, built out of large stacked blocks above ground in tower-like structures called chullpas, are the vestiges of the Colla people, also known as the Aymara, who were conquered by the Inca in the 15th century.

Created by the pre-Incan Culla civilization. By Per Arne Slotte Flickr CC BY-SA 2.0
Created by the pre-Incan Culla civilization.  Photo credit 

 

1-Stone with carvings at the entrance. By Diego Delso CC BY-SA 4.0 2-Inside of a Chullpa. By Diego Delso CC BY-SA 4.0
1-Stone with carvings at the entrance.  Photo credit 

 

Sillustani, tomb towers (chulpas) of the Colla culture (13th - 15th century). By Das Nili CC BY-SA 3.0
Sillustani, tomb towers (chulpas) of the Colla culture (13th – 15th century). Photo credit 

The word “chulpas” was used in the 19th century and comes from the Dictionary of Ludovico Bertonio (1612). Bertonio referred to the basket burials of the semi-nomadic pastoralists as “chulpas” and actually referred to stone towers as “uta Amaya” or “houses of the soul”. However, the term “chullpa” remains used today for the towers.

The ruins at Sillustani are most strikingly comprised of circular towers. By Unukorno CC BY 3.0
The ruins at Sillustani. Photo credit 

Ancestor worship and kinship were integral parts of Aymara culture, and the towers of Sillustani are the most impressive of the burial towers constructed by the Colla people. Each tower was built to hold an extended (usually noble) family of the Aymara elite within its rounded walls.

Chullpas from Tiwanaku epoch. By Diego Delso CC BY-SA 4.0
Chullpas from Tiwanaku epoch. Photo credit 

Corpses were not intentionally mummified, but in the dry environment created by the closed tomb, they survived for centuries. Most mummy bundles indicate burial in a fetal position. Some of the tombs also have various animal shapes carved into the stone. The only openings to the buildings face east, where it was believed the Sun was reborn by Mother Earth each day.

This huge tombs of the colla ethnic group represented the woman's uterus in where the corpses were placed in fetal position. By Guillén Pérez Flickr CC BY-ND 2.0
This huge tomb of the colla ethnic group represented the woman’s uterus in where the corpses were placed in fetal position. Photo credit

The architecture of the site is often considered more complex than typical Incan architecture. They are distinctive because the Colla used brick-like rectangular edges, in contrast with the Inca who used stones of varying shapes. Many of the blocks in the towers still bear the crude animal symbols that were added to the towers centuries ago.

Chullpa from Inca epoch. By Diego Delso CC BY-SA 4.0,
Chullpa from Inca epoch. Photo credit

 

Many of the tombs have been dynamited by grave robbers, while others were left unfinished. Wikipedia Public Domain
Many of the tombs have been dynamited by grave robbers, while others were left unfinished. Though there are similar constructions raised in Bolivia, Peru, and northern Chile during the Inca period, this site is considered the best and most preserved example of them. Unfortunately, many of the tombs have been pillaged by grave robbers, while others were left unfinished by the original builders.

David Goran

David Goran is one of the authors writing for The Vintage News