Like us on Facebook
Follow us on Instagram
 

Glenn Gould was an eccentric virtuoso who insisted on his childhood piano chair throughout his entire career and hummed loudly while playing

Domagoj Valjak

Throughout history, numerous artists, writers, and musicians have tested the boundaries of what is considered normal, and in many cases, they created what turned out to be an extraordinary piece of art, music, or literature. Eccentricity seemed to be essential in the creative process on more than one occasion.

When talking about eccentricity in art, it is almost inevitable to mention the story of how Van Gogh allegedly cut off his ear, and when it comes to literature, we always think of Balzac, who supposedly consumed 50 cups of coffee per day. But the world of classical music has its own share of eccentric geniuses, among whom Glenn Gould holds a very special place.

Gould was a Canadian virtuoso pianist who is nowadays praised as one of the best classical pianists of the 20th century. He played with  exceptional technical proficiency and had a unique ability to articulate the complex polyphonic compositions of Johann Sebastian Bach.

Gould is known as one of the only pianists who could passionately play the full sheet of Bach’s “Goldberg Variations.”

Park Bench Sculpture of Gould located outside the Canadian Broadcasting Centre. Author: Stefan Powell – CC BY 2.0

Park Bench Sculpture of Gould located outside the Canadian Broadcasting Centre. Author: Stefan Powell – CC BY 2.0

Aside from being famous for his outstanding skills in playing the piano, Gould was known for a plethora of various eccentricities. His behavior was so unusual that concert halls frequently had to be changed to fit his wishes, and conductors often complained of his intentional disregard of the prescribed tempo.

Glenn Gould used only one single piano chair throughout his life, and he would often refuse to perform if he was unable to bring his chair to the venue. The chair was handcrafted by his father when he was a child, and it was designed so that he could sit very low at the keyboard. He continued to use the chair even after the seat became worn and had to be removed.

Gould was also known to hum while playing the piano. He would hum so loud that his voice was sometimes louder than the sound of the actual music. Many studio engineers and producers complained that his humming was a nuisance because they often couldn’t remove it from the recordings, but Gould continued to hum until the end of his career.

Glenn Gould with his teacher, Alberto Guerrero, demonstrating Guerrero’s technical idea that Gould should pull down at keys instead of striking them from above. The photo was taken in 1945 before Gould fully developed this technique.

Glenn Gould with his teacher, Alberto Guerrero, demonstrating Guerrero’s technical idea that Gould should pull down at keys instead of striking them from above. The photo was taken in 1945 before Gould fully developed this technique.

He stated that the humming gave him discipline and helped him interpret the music; music theorists argue that this habit emerged during Gould’s childhood, when his mother taught him to sing the music he played in order to keep track of his articulation.

Gould in February 1946 with his parakeet, Mozart, and his English Setter, Nick.

Gould was extremely sensitive to cold and wore heavy multi-layered clothing. Sometimes he even wore gloves while playing the piano, and some believe that this may have been a product of his germophobia and hypochondria. However, some contemporary researchers argue that he suffered from fibromyalgia, a condition that prevented him from distinguishing hot from cold.

His personal demeanor was almost autistic. He didn’t like being touched and favored limited personal contact. In 1959, Gould visited Steinway Hall in New York and was greeted by the chief piano technician, William Hupfer, with a pat on the back. He was so shaken by this inappropriate personal contact that he complained of back pain and headaches for several days and intended to sue Steinway & Sons if his troubles continued.

A replica of Glenn Gould’s chair.

A replica of Glenn Gould’s chair.

Gould was an eccentric individual who disagreed with conventional rules and regulations of modern society but managed to enrich that same society with his musical genius.

Read another story from us: “Blind Tom,” born a slave, at the age of 10 became the highest paid pianist of the 19th century

He lived for music and he managed to communicate, and leave behind, his deepest feelings expressed through his musical performances.