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The Ugliest Royal Portraits in History

Nikola Budanovic

The tradition of painting kings, queens, emperors, as well as their family and relatives, goes right back to the very beginnings of civilization. Art has been in the service of rulers for as long as history remembers, since ancient realms of Egypt, China, and Mesopotamia.

While art flourished due to the sponsorship of various figures of power, the will of monarchs often left little space for innovation and limited the artist’s imagination within strict norms and already established standards.

It was not uncommon for powerful figures to demand that their portrait showed them in the most flattering way — on the other hand, sometimes the artists’ hand produced, shall we say, awkward results. Portraits that were not so flattering in terms of ruler’s appearance, often presenting physical flaws, sometimes managed to slip through and pass as suitable.

Archduchess Maria Anna of Bavaria by an Unknown Artist, c. 1600
Archduchess Maria Anna of Bavaria by an Unknown Artist, c. 1600

 

Emperor Leopold I of the Holy Roman Empire by Benjamin von Block, c. 1670
Emperor Leopold I of the Holy Roman Empire by Benjamin von Block, c. 1670

 

Ferdinand II of Aragon, “the Catholic”
Ferdinand II of Aragon, “the Catholic”

 

James II of Scotland
James II of Scotland

 

Emperor Leopold I of the Holy Roman Empire by Jan Thomas, 1667
Emperor Leopold I of the Holy Roman Empire by Jan Thomas, 1667

 

King Charles II of Spain by Luca Giordano, 1693
King Charles II of Spain by Luca Giordano, 1693

How they continued to form a monarch’s public image is another issue altogether. While some artists simply lacked skill, others just failed to represent their subjects in a rather improved manner. Some, like 19th century Spanish painter Francisco Goya, intentionally painted their subjects to look ugly out of contempt for their disinterest in the common folk.

This form of not-so-subtle critique was reserved only for court jesters and artists, as their expertise and apparent benevolence acquitted them from punishment in most cases. Sometimes it was just really hard to re-imagine a rulers image, as some of them were born with apparent deformities, often as a result of inbreeding.

King George III of Great Britain by Henry Meyer, 1817
King George III of Great Britain by Henry Meyer, 1817

 

King Henry VIII by Peter Isselburg and Cornelis Metsys, 1646
King Henry VIII by Peter Isselburg and Cornelis Metsys, 1646

Since the knowledge of human genetics was less than nothing until modern times, inbreeding was common for royal families, as marriage was seen only as an extended arm of diplomacy and politics. Perhaps the most famous case of such deformity is the so-called “Habsburg Jaw”, or mandibular prognathism ― a physical trait that resulted from generations of incestuous relationships.

It manifested as a prominent protrusion of the lower jaw. The tradition of sitting for portraits is still maintained by royal families that continue to rule certain countries, like Great Britain.

King Philip IV of Spain by Diego Velázquez, 1643
King Philip IV of Spain by Diego Velázquez, 1643

 

King Philip IV of Spain by Gaspar de Crayer, 1627-28
King Philip IV of Spain by Gaspar de Crayer, 1627-28

 

Queen Elizabeth I of England by an Unknown Artist, 16th century
Queen Elizabeth I of England by an Unknown Artist, 16th century

 

Queen Elizabeth I of England by an Unknown Artist, c. 1610
Queen Elizabeth I of England by an Unknown Artist, c. 1610

 

Prince Frederik (VII) of Denmark
Prince Frederik (VII) of Denmark

 

Portrait of the Emperor Maximilian I by Bernhard Strigel
Portrait of the Emperor Maximilian I by Bernhard Strigel

 

Queen Elizabeth I of England by William Rogers, 1595-1603
Queen Elizabeth I of England by William Rogers, 1595-1603

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And just as in the old days, debates occur once in a while in judging the portrayal of beloved royal figures.

Read another story from us: Famous Royal Marriages that Famously Failed

One of the most recent of such debates was sparked in 2013 when a number of critics posed the question of whether or not a portrait of Kate Middleton was actually worthy of representing the Duchess of Cambridge. However, if you pay attention to the entries on this list, you might just cut the artist who painted the Duchess some slack.

Nikola Budanovic

Nikola Budanovic is a freelance journalist who has worked for various media outlets such as Vice, War History Online,The Vintage News, Taste of Cinema,etc. He mostly deals with subjects such as military history and history in general, literature and film.